“The day I was born I was born free and that is my Privilege.”


“Dream is Destiny.”
July 19, 2008, 8:42 am
Filed under: Backdrop, Liriko, Uncategorized

It slipped off my mind that we will see Ann play her last BPOlympics basketball match later this afternoon at the Meralco theater. Ayreen just texted me last night through my brother’s phone, which, by the way, my brother jokingly told me to read a message in his phone on a gesture of putting the phone in front of my face. How lovely of my brother! When we last met, Ann requested us to see her last game, Be there and take a picture of me playing. Come on, it’s my last game. I’ve invited you to watch me play since my first match and you never came, I remember her ranting to that effect.

The game is scheduled at past 6:00. My other friends are killing time somewhere while waiting for us to meet at the Galleria. I spent the earlier part of this day watching Across the Universe, a musical film by Julie Taymor. I’ve heard about it from a friend. Intrigued, I downloaded it .AVI. I’ve loved musicals, musical films, after I watched RENT, and I dream of being in the ensemble of RENT and singing SEASONS OF LOVE with all my heart. One great scene is La Vie Boheme and I like Angel and Collins’ rendition of I’ll Cover You.

With Across the Universe, it came to mind that song interpretation differs by context. As an example, Beatles’ I Want You Bad was used to depict Uncle Sam’s persuasion of his men to serve his country by being a part of the support force in Vietnam as well as to show Sadie and her partner’s affection toward each other. Another would be Sturgess’ and Anderson’s Strawberry Fields, now, I think of love and war hearing that song.

Fifteen minutes and I am off here.

Last Cinemanila, I’ve seen Julie Delpy’s self-produced, self-written film, Duox Jours A Paris, with an English title of Two Days in Paris, which she starred opposite Adam Goldberg and her real-life parents, as far as I remember. I like Delpy in Before Sunrise, Before Sunset opposite Ethan Hawke, but I guess reading its script would be far better than watching the film. Seeing her in Duox Jours A Paris made me like Delpy more as an actress.

It’s interesting to see her again acting her role in Richard Linklater’s, her director for Before Sunrise, Before Sunset, Waking Life. It’s my first time to see it, though it’s a 2001 Linklater film. I searched for its script and I think it’s one film worth watching. Utorrent, work fast… please. 🙂

Here is an excerpt:

***

(Main character walks through the airport and telephones his friend – 322.0031. There’s a girl there, and he sees her.)

Hey man, it’s me. Um, I just got back into town. I thought maybe I could bum a ride off you or something, but that’s cool. I could probably just take a cab, something like that. Um — Yeah, I guess I’ll hang out with you later, something like that.

***

(A boat car drives up in front of the airport)

Ahoy there matey! You in for the long haul? You need a little hitch in your get-along, a little lift on down the line?

Oh, um, yeah, actually, I was waiting for a cab or something, but if you want to …

All right. Don’t miss the boat.

(He gets in.) Hey, thanks.

Not a problem. Anchors aweigh!

So what do you think of my little vessel? She’s what we call “see-worthy.” S-E-E. See with your eyes. I feel like my transport should be an extension of my personality. Voila. And this? This is like my little window to the world, and every minute it’s a different show. Now, I may not understand it. I may not even necessarily agree with it. But I’ll tell you what, I accept it and just sort of glide along. You want to keep things on an even keel I guess is what I’m saying. You want to go with the flow. The sea refuses no river. The idea is to remain in a state of constant departure while always arriving. Saves on introductions and good-byes. The ride does not require an explanation. Just occupants. That’s where you guys come in. It’s like you come onto this planet with a crayon box. Now, you may get the 8-pack, you may get the 16-pack. But it’s all in what you do with the crayons, the colors that you’re given. And don’t worry about drawing within the lines or coloring outside the lines. I say color outside the lines. You know what I mean? Color right off the page. Don’t box me in. We’re in motion to the ocean. We are not landlocked, I’ll tell ya that. So where do you want out?

Uh, who, me? Am I first? Um, I don’t know. Really, anywhere is fine.

Well, just — just give me an address or something, okay?

Uh —

(The guy sitting next to him in the back seat speaks up) Tell you what, go up three more streets, take a right, go two more blocks, drop this guy off on the next corner.

Where’s that?

Well I don’t know either, but it’s somewhere, and it’s going to determine the course of the rest of your life. All ashore that’s going ashore. Ha ha ha ha ha. Toot, toot.

__

Now, I’m late.

Another excerpt from the same site:

(Two kids — a girl and a boy — playing a game of “frog”)

Um, pick a color.

Blue.
B-L-U-E. Pick a number.

Eight.

1, 2, 3, 4, 5, 6, 7, 8. Pick one more number.

15.

1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15. Pick another number.

Six.

Okay. “Dream is destiny.”

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1 Comment so far
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One of my favorite movies ever

Comment by BetangaX




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